That Floating Excrement Was Far Too Symbolic! These Are the Television Disappointments of the Year.

As we reflect on the TV landscape of the past year, a selection of series emerge not for their brilliance, but for their notable shortcomings. Ranging from awkward sequels to bafflingly poor documentaries, here are the programmes that left us scratching our heads or simply reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Burdened with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. For a moment, as the third season started, it looked like it had at last found its groove. Then came an installment centered on Seema’s natural deodorant. Little surprise the creator declared this would be the final series. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was simply too on-the-nose. Yet, fans undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this show's problems. The recipient of a very rare zero star review, it was hard to know where to begin enumerating the flaws. The hilariously wooden dialogue? The tedious glorification of affluence and consumption? The seemingly deliberate procession of cliches? Performances so bad they felt borderline spiteful? Suffice it to say “all of the above” and forget about this series again. However, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence allegations and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have known it from this three-part docuseries which chuckled along at Sheen’s various episodes of reckless hedonism while failing to tell us anything we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be reserved for the people who have had to suffer proximity with this charming but dismissive narcissist.

The Supercomputer Drama

Naturally we understood it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

MobLand

Shady characters convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the ignominy of having to accommodate baffling accents. But there were many other problems. Primarily that it was just profoundly boring; a dispute over drug-selling territory between various cockney rogues which seemed rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of certain performatively angry commentators, it’s almost easy to applaud the Duchess of Sussex’s various forays into quaint lifestyle as intentional provocations. But then you view them and are forced to admit that actually, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for wine o’clock with ideas of grandeur; a parade of snoozing dogs, humming beehives, sentimental platitudes and forgettable crafting “hacks” you’ll not remember instantly. All supported by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about both Victoria Beckham and her struggles with career, identity, self-acceptance. But for some reason, this three-part series chose not to say them. Rather, the viewing was akin to consuming a sales catalogue. She clearly has every right to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Inheritance

It should have been the next big hit – except even camper, with a famous star playing dead and a well-known personality managing her estate. What more could you want? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was trying way too hard to live up to something way beyond it.

Too Much

How does one follow a show that captured a generation? The pressure was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the abundance of famous cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the smart inclusion of talented younger comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lurching from strangely jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely.

Prime Target

We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a breakthrough that could ruin society? Nope! This globe-trotting thriller about secret services spying on – and killing off – intellectuals honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for explicit exploits as she undertook her most extreme feat yet. What on earth would motivate her? What we craved was way more interrogation of her true psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who appeared to drag her son out of the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.

Michelle Fuller
Michelle Fuller

A seasoned urban gaming analyst with over a decade of experience in gambling trends and regulatory insights.